Before the Music Dies

I just finished watching the documentary BEFORE THE MUSIC DIES, on Hulu. It's a look at the state of the "Music Industry" circa 2005/6. As always, there are some points I disagree with; but overall it's an excellent film. Go watch it.



Some points/thoughts I had while watching:

Watch this movie, Before the Music Dies, and watch how people curse. Cursing is normal and natural. Restriction of cursing is understandable, I suppose, but absolute prohibition of it is stupid.

Radio is about percentages: if you retain 51% of the population, you're a winner. As you make a profit, you can lose that percentage. It's the dollars, stupid.

Brendan Marsalis makes the point that Coltrane and others came out and were hated for 5 yrs. Today, you don't have 5 years for your sound to catch on, gain fans, and become something-through the radio markets and "traditional" Record Company Route. "If it's really new, the people won't like it because they won't know what it is."

First half is "Why is it shitty, right now?" Second is, "Why it doesn't have to be, and how it isn't."

Here's the sad fact: Radio, that industry the record execs once loved for getting their content out to the masses, taught us all that music was free. The consumer knows why ads are there; but ads are an annoyance, not a means of funding the radio station. Sure, we all know the deal; but it takes thought to connect from These Annoying Ass Ads to "Oh, that annoyance is okay, because without it, we wouldn't have the radio." In fact, that's not the case, exactly; look at Public Radio, after all. That instruction "Radio is Free (ish)" became music is free, and with the availability of easy copying it became downloading/sharing without guilt.

How is this for a business model? Instead of a million people out there trying to get famous, get rich, and "be somebody" (whatever that means); artists being concerned with being artists. Musicians focused on making music; and when the record company comes and says "Hey, we can do something for you," saying "You can have this album, and distribute it, and do your thing, and leave us the hell alone." Basically, forcing the record company to accept your terms, and not vice versa. It takes a hell of a will to do; and I'm not saying it's the smartest move- but it's the way to remain "pure", "true", "uncorrupted" while still taking every authentic advantage that comes along.

"There are three types of artist. The first is the one who hurts to do what they do. ... The second is the type who tries to be like the first. The third type is one who does whatever they're told." -Erykha Badu

"I don't think that we need to panic; I just think we need to teach our children well." -Dave Mathhews

"It's important to sound like You, to feel like You, to be like You." -Erykha Badu